B"H

Riding Uphill, part II

By Leon Adato

(Originally posted here)

One of the comments I got back from the post “Riding Uphill” was from my friend Phil, who said, “Davening is hard, although it gets easier after the first, oh, five or seven years.  Then it gets hard again because you’ll have become so fluent at it that you will need to consciously slow down and focus on Kavana.”

I started to think about how long it might take to get “good” and what “good” looked like? Was “good” the people who led services at my synagogue?

Seth Godin wrote once about expertise in “The Myth of Preparation“. In it, he described 3 basic levels and the amount of effort to go from one to the other. The first phase – “beginner” is characterized by a steep rise in learning. The middle “novice” phase is mostly just repetition and practice with small incremental improvements, until you hit “expert” level.

All of this is pretty simplistic and the analyst part of me would love to see the supporting data. But that’s not the point. The point is that Seth’s description is close enough for his final premise:

“Here’s the myth: The novice stage is useful.

If all you’re going to do is go through the novice stage before you ship, don’t bother. If you’re not prepared to put in the grinding work of the expert stage, just do the beginner stuff and stop screwing around. Make it good enough and ship it and move on.

Go, give a speech. Go, start a blog. Go, ship that thing that you’ve been hiding. Begin, begin, begin and then improve. Being a novice is way overrated.”

Seth talks about “shipping” but what he really is talking about is making something public – going ahead and DOING instead of PREPARING TO DO.

This morning, instead of self-consciously whispering through my morning blessings – trying to hide what I was skipping, or what I was reading in English instead of Hebrew – I said them aloud. Sang a few of ‘em, when I could remember the tune.

As Seth would put it, I “shipped”.

It was rough. It was “not ready for prime time”. It was definitely not easy.

It might, as Phil said, take me another 4 years before it gets easier. But you know what?

For today, for the beginner that I am, it was Good Enough.

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OneShul: The First Completely Online Synagogue

PunkTorah is proud to announce the fund-raising launch for OneShul.org, the world’s first web-based, community run synagogue.

OneShul was inspired by group of PunkTorah volunteers who began meeting online to daven with one another, using PunkTorah’s recently released Indie Yeshiva Pocket Siddur (available online and through ModernTribe.com). With the popularity of this “DIY Prayer Service” came the idea for a virtual synagogue without borders, based on collective Jewish values and spiritual independence.

“Synagogues are shutting down for the same reason that brick-and-mortar business are closing,” says Executive Director Patrick Aleph. “People live online and if you believe in being where people are, then you need to be there, too.”

Says PunkTorah Creative Director and “Alterna-Rebbe” Michael Sabani, “OneShul is an open synagogue for all of us to congregate, learn, lead, and empower each other. Traditional Jewish organizations and leaders have said that real community can’t be achieved online, or as they see it, synthetically. We challenge that notion. We say that yes, real community means communicating with each other in a meaningful way and that can be done online. We are proving it right now.”

OneShul is “independent” meaning that it does not tow a party line to any of the established Jewish movements. Instead, by being community ran, participants get to decide what kind of minyanim to make, the style of worship, etc. PunkTorah hopes that OneShul will be a diverse place, where all Jewish opinions are appreciated.

OneShul has already seen major success with its live, interactive Afternoon Prayer Services and Jewish classes, led by different members of the PunkTorah community via UStream. PunkTorah hopes to expand OneShul into something much larger, providing Kabbalat Shabbat, more holiday services, an “indie yeshiva” of Jewish books and blogs that are written collaboratively by volunteers, spiritual counseling via skype, a mobile davening app for the iPhone/iPad, tzedakah and tikkun olam programs, OneShul outreach houses across the country, volunteering and internship opportunities for students interested in Jewish communal service, and a launching pad for the spiritual future of the New Jew community. “Everything that a physical synagogue has, but better,” says Aleph.

To make this happen, PunkTorah has launched a fundraising drive through IndieGoGo.com and plans to raise $5,000 to create the “synagogue of the future”.

With OneShul, PunkTorah is challenging the notion that community only exists in neighborhoods. Says Michael Sabani, “Which community is more real? The one where I show up once a week and sit next to what is essentially a stranger, say ‘Shabbat shalom’ and then leave? Or the one I am in constant contact with through Facebook and Skype, who I know I can turn to in a time of need?”

To learn more about PunkTorah’s OneShul project, visit www.indiegogo.com/oneshul

PunkTorah is a non-profit (501c3-pending) organization dedicated to independent Jewish spirituality, culture, learning and debate.

Press Contact: Patrick Aleph

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Service of the Heart?

I’ve neglected going to services lately because I am really not comfortable there. We go in, we pick up a siddur, we sit down, and invariably our daughter either wakes up or jumps down and starts running around. All the old bubbies start to murmur and give us dirty looks and then my wife has to escort the little vilde chaya out the door while I stay and daven alone. This is fine. It is routine and I expect it, though I’m saddened that we have to be separated during what I consider to be a both personally spiritually important time and a good spiritual environment for the kid.

My real disappointment lies in the way we are holding modern, “liberal-type” services.  We all sit in rows in a fancy sanctuary, sing songs and follow along and do the “call and response” type of thing. We listen patiently as the leader drones in that “poetry/sing-songy/disingenuous” kind of high pitched voice. And it struck me that it was all so, for lack of a better word, “church-y”. I hated it. It feels like it is copying the Protestant style of Western church worship, from the music to the atmosphere. Someone at the service even made a comment (jokingly, I think) about being “quiet at church”. I thought to myself, “Shouldn’t this be different than church? Why are we trying to be like that? To fit in? No thanks.” We are different, and that should be a good thing. Jews always have been different. We’re iconoclasts! We break down walls and smash idols! Heck, we’re different from each other! You know that old chestnut, “two Jews, three opinions”!

My first exposure to a Chabad type service was really, interesting. We were on vacation, so we went somewhere we normally wouldn’t have gone. This was very different. Everyone seemed to be mumbling and shuckling and I had no idea where I was in the service. After  fifteen minutes I gave up trying and I just followed along as best I could. The shaliach’s kids came right up to him and he would pick up the little ones in between prayers. It was pretty overwhelming and a disorienting.
The same type of thing happened later when I was at a much smaller minyan and everyone was davening at different speeds. I got flustered and frustrated. I even got mad at the guy next to me for going so fast and not doing it “right”.  After thinking later about why I got angry, what about everyone not praying together made me some upset, I figured it out.

Jacob Siegel, in a fantastic post you should check out, put it like this:

In the middle of this cacophony of prayers,  “I would form my own personal connection with G-d, and you, praying beside me, would do the same, and we would each be vocalizing at different paces, and we would each be inspiring the other to achieve a spiritual awareness that we would then carry throughout the day.” This is incredible to me. It is that independence in the midst of community, what I consider almost the definition of Yiddshkeit, that electrifies my neshama.

I’m not saying one way is right and the other wrong. I am saying that it is a shame if we are changing our nature to conform to an idea of what a progressive, liberal service should look like. Something that IndieYeshiva and PunkTorah are trying to do is to bring these ideas back into the way we “do” Jewish, and have them there for us, to make our Yiddishkeit genuine and real, and by “genuine and real” I don’t mean specifically that there is one right way to do things, but a way that resonates with our past. I’m taking about an Integral Judaism that would transcend and include the past (more on that in another post).

I would like to, if I may, let Mr. Siegel take us out, because any paraphrasing on my part would be just that, and I feel he puts is very eloquently:

‘When we pray, we share our energy. I davven, and you hear me and feel inspired, and I hear you and feel further inspired. Let’s thank our cantors for their efforts in service of us and G-d, and ask them to step down from the bimah and stand beside us, as we now all share together in our cleaving to G-d.”

Yasher Koach.

Michael ארי

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Show Review: Captured By Robots @ The Earl (Atlanta, GA) 05/07/2010

OK fine, I broke Shabbat to go see robots sing cover songs by Journey and Rick James. Got a problem with that?

For what it’s worth, I also davened (prayed) with the Atlanta Chevre Minyan, a pretty cool group of independent people doing a mixed Orthodox/Progressive service and one of the best oneg pot lucks I have ever seen.

At the Earl, I met up with my friend The Other Jeff Clark (also known as Jeff from Channel Zero, an Atlanta music scene icon). As I got out of my car, I remembered that I was still wearing my egalitarian kippah from the PunkTorah shop and thought, “mmmm, gee, better put on a hat instead.” So I threw on a hat over my yarmulke and ran in, just in time to catch the last few songs by The Falcon Lords, a band best described as superhero minimalist dance rock. Think Batman Forever chase scene music with the bravado of The Tick and a drum machine.

OK, on to Captured By Robots.

All I can say: coolest. thing. ever. And it helps that the singer Jay Vance (JBOT) is Jewish, and probably a genius.

The “group”, for lack of a better word, features one human (Jay), and a series of robots including DRMBOT 0110 (the drummer), GTRBOT666 (the guitar/bass player) and some stuffed apes that look like the demented cousins of the characters from Chuck-E-Cheese. Each robot actually plays an instrument, with Jay providing vocals and additional guitar.

What makes the show amazing is how Jay interacts with the robots, mostly DRMBOT and GTRBOT insulting him, the audience, and making sick, lewd jokes. I loved it. The on-stage conversations were seamless, and actually made you feel like these robots were alive (or maybe they were?)

Jay started off the set by asking if there were any Jews in the audience. Immediately my friend Jeff pulled my hat off, exposing my yarmulke. Jay got a kick out of it, and this “outing” gave me a chance, after the show, to talk to him.

I asked Jay about why, after thirteen years of Captured By Robots, he still does his act. “Because I believe in it,” he said, citing his work on a TV show featuring the band and the fact that he no longer needs a day job (Jay tours once a year with the group).

In 2005, Captured By Robots put out a CD based on the 1950′s film, “The Ten Commandments”. I asked Jay about it, and he said that the Exodus is the “greatest story ever told” (pun intended). He has been “watching the movie since [he] was a kid” and for him, “Heston is Moses.”

I asked Jay about his Jewish background and he replied, “I don’t go to seders or temple. When they [the Jews in my family] died, [my Judaism] was buried with them.” But for Jay, connecting his on-stage act with the Jewish people is about “heritage” and belonging to the culture. This included songs about the last plague of Egypt and a sex-romp about Nefretiri. I would make the argument that JBOT was a rabbi that night, not only connecting me with my Jewishness, but also creating an interfaith dialogue through metal-goes-dance-pop-rock. For a moment, we were a two person havurah (community).

Less talk, more rock. Check out Captured By Robots!

(image courtesy of Captured By Robots)

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Parshat Behar-Bechukotai

Parshat Behar-Bechukotai

In the beginning of this week’s Torah portion, G-d tells Moses that every seventh year, the Hebrews should let their land “rest”. No planting, harvesting, etc. Just leave it alone. And if the land has any produce, make sure to leave some your animals, slaves, hired workers and people who live with you. G-d wants the land to rest, because then it will “become fertile”. There is a sense, here, that human beings spoil the land through their work, and that nature needs to repair itself so that it can continue to grow.

Farmers cultivate the land with tools, and the result is the harvest. Similarly, prayers are used as tools to cultivate divinity, the result being a connection to something transcendent.

Maybe it makes sense, then, that there be a “Sabbatical time” from prayer. It’s great to say brachot, daven, meditate, etc. But maybe we need to just chill out and enjoy life, so that our spiritual “land” can replenish itself. Instead of worrying about all the brachot, the correct prayers for each moment of life, keeping tabs of the weekly Torah portion, etc., we sometimes need to just step back, go on autopilot, and take a break from “being, thinking and acting Jewish” to just “being” ourselves.

Even though we aren’t “cultivating” the spiritual land, we will still have plenty of spiritual “produce”. And we are commanded to share this with everyone! And what happens after the Sabbatical? Our spiritual land is fertile again, and we can get back to business as usual, refreshed and more bountiful than before.

Bottom line: even rabbis take a day off (and from what I understand, it’s usually Monday).

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Indie Minyan Kit + Pocket Siddur

Finally, a chance to pray three times a day and celebrate Shabbat your own way.

A “shul in a box”, the Indie Minyan Kit contains everything needed for a person to create a havurah (community), host daily group or private prayers, or a Shabbat service. The kit includes:

  • One Indie Yeshiva Pocket Siddur: a siddur that is gender inclusive, LGBT friendly, written in English and Hebrew transliteration, fits in your pocket, and to be honest, has a cover that will blow your mind
  • Duality glass Shabbat candle sticks, which hold tea lights or holy land candles
  • Two sets of Shabbat candles
  • Rustic challah cover with blue stripes
  • Egalitarian kippah with “super secret” message printed inside
  • PunkTorah buttons and stickers
  • PunkTorah “Propaganda” CD featuring a printable copy of the siddur to give away, as well as graphics and templates for making posters and handouts for promoting your “indie” minyan
  • Shabbat matches courtesy of ModernTribe
  • Music compilation CD featuring DeLeon, SoCalled, Balkan Beat Box and Golem, courtesy of JDub Records
  • Gifts from G-dcast, a partner with PunkTorah

The kit will retail for $33.99 and is available through the PunkTorah Shop at ModernTribe.

Buy it and we’ll come to your house/dorm/apartment/office and daven with you! Just send us an email and we’ll see you there: minyankit@punktorah.org

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I'm Pissed Off At Judaism: A Rant on Progressive Judaism and Spirituality

“I have been thinking a lot about Judaism, and I’m kind of pissed at it right now.”

This IM from my friend Sarah* was strangely startling. She had a stressful weekend, and she needed to relax. She smoked pot, turned off all her electronics, and it was “the most spiritual thing [she had] done in a long time.”

The best part came when Sarah told me she had a religious epiphany over fruit. “I ate an orange. I peeled the orange and realized that it was probably the closest to G-d a food can be, because it was so protected from the rest of the world. So I said a bracha (prayer) over it.”

(Click Here To Read More)

*My friend’s name was changed to protect the innocent

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PunkTorah: NSFW Jewlicious Outtakes

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Album Review: The Threshing Floor

When you run a non-profit organization called PunkTorah, it’s fairly easy to get pigeon-holed. I can’t count the number of times that someone has raised their hand in my face, made rocker “devil horns” and said, “yeah, PunkTorah guy” in a Sid Vicious voice. It’s for that reason that people might be surprised that my new favorite Jewish album is “The Threshing Floor”, a choral masterpiece by the musicians that make up Congregation Bet Haverim of Atlanta, Georgia*.

What, no Jewish punk? No Heebie hip hop? Patrick, shul is the “establishment”!

Before you get your undies in a twist, let me tell you a little something about Congregation Bet Haverim: their rabbi is a gay body builder, and the lay cantor screams Earth Goddess when she wails on hand drums. At Friday night services, you’ll find yourself wedged between a black, lesbian college student and a retired hippie couple, craving the organic, locally sourced vegetarian oneg prepared by a Sephardic family while adopted Asian children run around at your feet dropping crumbs of challah on the floor.

Am I still a sell out? Didn’t think so.

Less talk, more rock. And the Threshing Floor rocks!

The album kicks off with “Dodi Li”. Lay cantor Gayanne Weiss has this kind, maternal voice that later booms to life as hand percussion and choral background dance together in harmony with melodic guitar and make your spirit shoot out of your chest. Moving on to ballads by Will Robertson (who also produced the album), world musical influences with Iraqi, Ugandan and Indian flair, Sephardic and Hasidic incantations and African American call-and-response, this album breathes new life into congregational music.

It doesn’t surprise me at all. Bet Haverim is Atlanta’s “misfit” Jewish community, a rag tag group of people united under the banner of diversity. It’s no wonder that “The Threshing Floor” is equal parts Civil Rights spiritual and Shabbat liturgy, features covers of Michael Stipe (REM) songs and folk music inspired midrashic interpretations of Lamentations. “Solu, Solu” could easily be an homage to the Benedictine monks, while “Ken Es Akeyo De La Meniana/Wayfaring Stranger” could be the missing next single by DeLeon. In the back of my mind I heard the voices of my friends say, “if I could hear this kind of music, I would come to services.”

The kicker for me is track five, a cover of Mosh Ben Ari’s “Od Yavo Shalom Aleinu”. The warm strings are like a parent soothing you to sleep while guitar picks up the tempo. Suddenly you’re hypnotized by the percussion creeping beneath the choir’s mantra and without warning, you’re a True Believer.

The Threshing Floor shows me our greatest strength as a people: our collaborative nature. Across genres, languages, cultures and styles, this album is a love poem, a psalm, to our higher power. I love it, and I think you’ll love it, too.
Visit www.congregationbethaverim.org to order the album. Available on iTunes soon.

*Since the Feds are cracking down on bloggers accepting gifts and the whole “ethics” thing, I should in full disclosure admit to being a member of this synagogue. But even if I weren’t, I’d still review this record because I love it.

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PunkTorah Presents: WeRepair.org

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