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Circle Pit the Bimah: Breaking Kosha Stereotypes

A few months back that fine rhyming fella Kosha Dillz dropped the Gina & and the Garage Sale EP. Countless shows and a lot of push from his label Shemspeed has fueled a fire that is quickly spreading the word that is Kosha Dillz. From RZA ( yup that RZA) remixes to a feature on MTVu the often dubbed “hardest working man in showbiz” shows no signs of stopping and only hints of greatness to come.

Check out the video for All These Years ft. Mojo Hanna that shatters the stereotype that all Jews have big noses but solidifies the notion we all have curly hair (even if it is receding), and when your done checkout Gina & the Garage Sale EP on Shemspeed.

Jeremiah Satterfield is the host of PunkTorah Radio’s music podcast, spinning the best in Jewish rock, pop, hip hop, punk and more.

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PunkTorah Podcast: Girls In Trouble, Y-Love, Darshan, Wailing Wall and More!

Jeremiah is back spinning everything from Indie Rock, Hip Hop, and Punk.

Click here to play.

Playlist:

1. Girls In Trouble – DNA – Half You Half Me – Jdub
2. Deleon – Mansevo Del Dor – Jdub
3. Y-Love – This is Unity – See Me – Shemspeed
4. Diwon & Dov – Hatikvah – Hatikvah – Shemspeed
5. Darshan – To Zion – To Zion – Shemspeed
6. Moshiach Oi! – This World is Nothing/Got Nothing on Me – This World is Nothing – Shabasa
7. Gangsta Rabbi – Obama Rama Yeah – DiKtatoR17 – Jdub
8. Can!!Can – G~d Lives in New York City – Monsters & Healers – Jdub
9. The Sway Machinery – All the People – The House of Friendly Ghosts Vol. 1 – Jdub
10. Wailing Wall – Dear Mother – Hospital Blossoms – JDub

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Amy Winehouse Dead; Mourners Kaddish Video

PunkTorah is deeply saddened over the news of the death of Amy Winehouse, legendary R&B soul singer who became an instant star with her album Back To Black. This is our tribute to her legacy. May her memory be a blessing…

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Why Have No Jewish Media Outlets Interviewed JDUB Bands?

For all the hype about the closing of JDUB Records, no one has bothered to interview Soulico, Girls In Trouble, DeLeon or anyone else who was an artist on JDUB.

I have counted endless Facebook Flame Wars about whether or not the sky is falling on Jewish start ups. I’ve seen the older folks wave their fingers at us good-for-nothing kids who really need tote the party line and stop building silly websites. I’ve seen non-profit consultants wax poetic about “innovation”. And yet, in all this, no one has thought to ask the artists on JDUB anything about the label.

Why? I post this question to you, Jewish media…why has no one interviewed any JDUB bands?

This is the part where you expect a conspiracy theory on my end. But you won’t get one. There’s plenty of really long articles out there by people who didn’t work for JDUB about what-went-wrong.

But JDUB critiques are like memories of Studio 54: if you can remember it, you weren’t really there.

I reached out to several artists, but due to time restraints, the only person who could be interviewed in time for publishing of this article was The Gangsta Rabbi, whose album came out just before mine did.

Here’s what Steve had to say about JDUB. I hope this article will be the last article ever written about what-went-wrong-with-JDUB.

What was it like to be on JDUB?

The greatest thing about being on JDub is that it finally gave me some long sought after credibility. Being on the label that launched Matisyahu and a score of equally good and better artists made me look less of the novelty (which is not bad in itself) and more viable in the industry.

Any special memories…from being on JDUB?

JDub treated their performers special. My two visits to their offices were also memorable on how I was treated by all. That’s so important.

What are your plans now? Releasing on your own? A new label?

I released the first sixteen [albums] on my own and will do the same for numbers nineteen through one hundred plus. As for a new label, I’ll be 104 when that happens, so I will become a baseball player while I wait!

Alicia from Girls In Trouble was also on hand to give a quick statement:

Here are my thoughts…I’m deeply grateful to JDub…for believing in and supporting my work with Girls in Trouble for the past three years.   As artists, we depend on a complicated ecosystem of fans, friends, patrons and colleagues to help us continue our work…we’ll be looking for creative ways to fill the gap left by JDub’s support.

Editors note: it has come to our attention that Jacob Berkman (aka Fundermentalist) may be interviewing some JDUB bands. We will update this article if that is the case.

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JDUB Artist Responds To JDUB Records Shut Down

Apparently JDUB, the record label I am sign to, is shutting down.

Not gonna share the actual email I got from JDUB executive Jacob Harris, but here’s what they sent JTA (and it’s very similar to the message they sent me anyhow):

I’m writing to let you know that after almost 9 years in operation, JDUB’s Board of Directors has decided to wind down the organization.

The decision to close was entirely financial, as the challenges facing our business model are too great to overcome.  JDUB earned half of its annual budget from mission-related revenue, including album sales, concert tickets, and consulting fees, and the other half from foundations and individual donors.  The collapse of the music business in the decade that JDUB has existed, combined with recessionary effects and aging out of the cohort of Jewish “start-ups,” made securing the necessary operating support an insurmountable challenge.

Determined to overcome this challenge, and inspired by our mission of forging vibrant connections to Judaism, we took opportunities to expand our work beyond music beginning in 2005. We co-founded the Six Points Fellowship for Emerging Jewish Artists, and we adopted Jewcy.com, a platform for the ideas that matter to young Jews, which is the most popular peer-run website of its kind.  We also launched a consultancy through which we helped over 30 other organizations including Hillel International, Birthright Israel Next, Nextbook Press, and Tablet Magazine to connect Jewish content, products, and experiences with new audiences.  While these strategic moves have dramatically increased our impact, they never yielded a sustainable revenue base.

Just as JDUB modeled what a new Jewish organization could look like and achieve, we will also model how one appropriately winds down.  We plan to share as much information as possible, and seek appropriate homes for our successful programs and assets…

I’m one of those assets (though hardly, as I’m sure Monsters and Healers probably sold three copies…and all of them to my mother) so I’m curious to see what happens next.

I guess that leaves Shemspeed to fill the void. I asked Erez “Diwon” Safar for his thoughts, and his reply was:

“Not much to say, besides as the artists already know, [Shemspeed is] actually all about collaboration and we are here for them.”

I’ll do a follow up article on this soon.

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Circle Pit The Bimah: Moshiach Oi!

Circle Pit the Bimah: Moshiach Oi!

Way back in the day, you know the late 90s early 00s. I was one of those guys who only liked obscure hardcore punk bands who sounded like they time traveled from pre-1986 Washington DC, New York City, or the sun bleached beaches of SoCal.  Not a lot has changed for me music wise since then.  Sure, I’m “respectable” I pay my taxes, vote, and even have a desk job,  but one thing remains the same I have never stopped being a Hardcore Kid. So what does this have to with PunkTorah and Judaism as a whole?  The answer is simple New York’s best kept secret Moshiach Oi!

This World is Nothing is the second release from the Na Nach Nachma Nachman MeUman chant infused hardcore band Moshiach Oi!  While still keeping it musically fast and lyrically simple (face it when your circle pitting its best to keep the sing alongs simple) T.W.I.N. is slightly more polished and musically diverse than their debut Better Get Ready.

Where Better Get Ready shuckles more towards the early Washington D.C. sound This World is Nothing tips the Kippah more to the Cali sound of the early 80s. Despite being a “Punk Buffet” of style and influence T.W.I.N. has the perfect balance between fast thrash riffs, Oi, and a dash of Reggae and Ska splashed in here and there.

Curious for more check them out below.

Myspace (http://www.myspace.com/moshiachoi613)

Facebook (https://www.facebook.com/#!/MoshiachOi)

Video for Got Nothing on Me (http://www.youtube.com/watch?v=TVlCahhogv8)

by  Jeremiah Satterfield

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New Playlist on PunkTorah Radio

A new playlist has been added to PunkTorah’s Radio Station on 8tracks. Check it out on our 8tracks page, or on the PunkTorah homepage.

This month’s playlist features music from multiple genres and decades: DeLeon, Matisyahu, Girls in Trouble, Stereo Sinai, Tomer Yosef, Yael Naim, Regina Spektor, Lou Reed, DeScribe & Y-Love, Joshua Radin, Billy Joel, Montonix, Clare Burson, Leonard Cohen, Amy Winehouse and Carole King.

Also, note that the DeLeon song comes off of his new album, Casata; we will have the album review up on PunkTorah very soon!

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We Stole This Week’s D’var (Parshat Pinchas)

There are two things in life I will never be: a self-styled electro gurl indie hip hop/pop star, and a brilliant Torah scholar.

So in light of that, this week’s Torah portion is stolen from our friends at G-dcast. The narrator is Hesta Prynn, and if you don’t know who that is, then clearly you don’t live in NY. Watch and learn.

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Atlanta Jewish Music Festival 5771

The Atlanta Jewish Music Festival (AJMF) has announced the lineup for its second annual Spring Festival, headlined by The Sway Machinery and Jaffa Road. This year’s festival has expanded to three nights from May 19 – 21 at three different venues in the Atlanta area.

“We’re extremely excited to have three amazing nights of incredible music with a diverse group of artists,” said AJMF’s director Russell Gottschalk. “When we launched the Atlanta Jewish Music Festival last year we felt that something was missing from the Jewish and cultural fabric of Atlanta, and I think this year we’ve filled it in a big way.”

This year’s festival features a night for local artists at Eddie’s Attic on May 19, a night of sacred music in a special Shabbat Service at Congregation Bet Haverim, and a huge closing night party featuring the headlining acts at Center Stage.

Purchase tickets online at www.atlantajmf.org.

The full schedule and pricing are as follows:

Thursday, May 19 – Local Artist Stage featuring Sunmoon Pie, Lily of the Suburbs and Ariel Root Wolpe at Eddie’s Attic, 515 N. McDonough St #B, Decatur Price: $10

Friday, May 20 – Shabbat Service featuring musicians from Congregation Bet Haverim and Special Guests at Congregation Bet Haverim, 2676 Clairmont Rd, Atlanta Price: FREE

Saturday, May 21 – Closing Night Party featuring The Sway Machinery, Jaffa Road, Nick Edelstein and the Grooves and Diwon (DJ) at Center Stage, 1374 West Peachtree St., Atlanta Price: $20

PunkTorah is a promotional sponsor of AJMF.

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Kabbalah Meditation Album — Download Today

We’re thrilled to announce the release of our first album Etz Chaim: Kabbalistic Meditation featuring…

  • Ten world music inspired tracks with guided meditations by Michael Sabani
  • Ten music-only tracks
  • Two bonus tracks … your free gift from PunkTorah

That’s 22 songs for only $9.99. You can download directly here using Paypal. Once you submit payment, we will email you a download link in twelve hours or less.

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